There used to be a Hollywood standard in formatting. I used to hear that if you stray one inch from the format, you would be crucified on the script readers post. It used to be said that you could only get away with differing from the norm if you were a Soderbergh, a Tarantino, or a Lucas. But there’s a new trend in town and that is what I would like to call the “bold standard.”
If you can punch up your action with the formatting, do it! When capitalizing once did the trick, now you’d better add an underline. And why not bold and italicize while your at it, just to get the point across.
The first time I really noticed this was with Shyamalan. He sometimes had a rare sentence in all caps, just to get the point across. Now, I’m seeing it on every page. Check out this page from Transformers.
Bold scene descriptions are all the rage, for action scripts. It used to be that you were only supposed to capitalize Character introductions and sound effects. Now you can throw them in whenever you want. And these days, many other writers are following suit. Whose to blame? I say JJ Abrams with his now infamous use of the F Word in his lost scripts.
Mel Gibson will star in “The Beaver” for director Jodie Foster.
The script, written by Kyle Killen, topped the Blacklist in December.
Gibson will play a depressed man who finds solace in wearing a beaver hand-puppet. On top of helming, Foster will play the role of the man’s wife.
Foster boarded the project and brought it to Gibson, with whom she co-starred in 1994’s “Maverick.”
Anonymous Content’s Steve Golin and Keith Redmon will produce the film. Producers are pushing for a September start date in New York.
Financing for the $18 million-$19 million pic has yet to be finalized. A studio could pick up the project or it could go the indie route, as Golin did with Alejandro Gonzalez Inarritu’s “Babel.”
Project had several star and director combos circling — including Steve Carell and Jay Roach — over the past several months.
Pic brings Foster back to feature directing for the third time, after 1991’s “Little Man Tate” and 1995’s “Home for the Holidays.”
Variety really doesn’t do the premise of this film any justice. What it’s actually about is a depressed man who finds a hand puppet. When he puts it on, the puppet, a beaver, begins to speak to him with a life of it’s own, going on to give him advice about his career and family. “The Beaver” is one of those scripts that scriptshadow reviewed a while back, and this is what he had to say about it:
The Beaver is a pretty solid little script. It’s a thinly veiled (albeit dark) version of “Guy drinks magical potion. Life changes for the better.” What separates it from the rest of these types of films is that it’s not a comedy. Well, it is, but not really. It’s actually a serious look at how depression ruins families and how distraction and denial may work as temporary lifeboats from the disease, but sooner or later, you’re going to have to deal with the real issues.
What I’m really curious about is why on earth Mel Gibson, considering all of his recent negative media attention, is playing a non-comedic role about a man who talks to a puppet on his hand. It sounds to me like easy fodder for those who just went to continue labeling Gibson as crazy. I haven’t read more then twenty pages of the script yet, but so far it still fits the description. The link is still up and you can actually download it here. Check it out, let me know what you think!
People are already geeking out about this all over the place. But honestly, the last time I saw Willem Dafoe as a villain the result was underwhelming. Green Goblin anyone?
Willem Dafoe will star alongside Taylor Kitsch and Lynn Collins in “John Carter of Mars,” the Walt Disney Pictures fantasy epic to be directed by “Wall-E” helmer Andrew Stanton.
Dafoe will play the role of Tars Tarkas, a fierce green Martian warrior, who’s unusual among his savage race for his ability to love. Tars develops an alliance with John Carter in the first film, which is based on “A Princess of Mars.”
He fights battles alongside Carter through the entire series of Edgar Rice Burroughs books, so he will be hanging around for sequels.
Kitsch, who’s coming off “The Bang Bang Club” and the TV series “Friday Night Lights,” was set in June to play the title character, a damaged Civil War vet who finds himself mysteriously transported to Mars. Collins, who acted alongside Kitsch in “Wolverine,” will play the Princess of Mars.
In continuing with my series on why reading scripts is so so so important, I would like to bring up an interesting question. What kinds of scripts should I read? The availability of scripts online is growing immensely and I am finding more and more sources each day. They offer a wide range fromblockbusters to small indie projects to even some in development with major players attached (not sure how these make it online, but they do). So which should you read Bad scripts, good scripts, old scripts, new scripts? My answer… all of the above. Continue Reading »
Scott Meyers (K-9) runs a great blog called Go Into the Story. He updates probably more than anyone else I’ve ever seen. Anyway, there’s tons of stuff I could post up from his blog, and I’m sure I’ll do more later, but to continue my kick of linking good places to find scripts, I thought I would hook you up with this post of his. Continue Reading »
I found a script library through the artful writer forum the other day that has literally the largest collection I’ve ever seen, including some rather large films that aren’t even in production yet. So check it out here.
Reading scripts is probably one of the best habits you can develop as an aspiring writer. I try to read about 3-5 scripts a week. Bobette Buster, who teaches for the Pixar University, says that you need to read 1,000 scripts before you can really be “fluent” in that language. I think most of us have a bit of work to do then, huh?
The Vuze Network is giving “The Black Dawn” some major promotion on their site. Please help us return the favor by checking them out.
Also, Tubefilter has been kind enough to do a very favorable write-up on our show. Check it out:
What would you do if you woke up one morning to find a mysterious black cloud descending on top of the city of Los Angeles, killing everyone around you?
If you’re a real Angeleno, probably nothing – you’ve probably been taking smog for granted for years already. But this isn’t real life, this is The Black Dawn, a new sci-fi web series from New Renaissance Pictures that debuted January 31st on WebSerials.com and YouTube and has followed a weekly release schedule.
… The first few episodes feel a bit like Jericho in a college setting, but it begins to establish its own path shortly thereafter.
“The Crown of the Forest” was a production almost as epic as the film itself.
Sophomore year, spring of 2005, myself, two other actors and a crew of only five (including the director) drove 12 hours to the northernmost reaches of California. Our primary location was about a mile from the nearest road, as you can see in the map (just south of JH ranch).
We had to lug our equipment down to the southern edge of that valley and quite a bit of it we hid under tarps for the entirety of the week. Because there was only a director, three producers, and a DP, all of the actors had to help drag sandbags, generators, dollies, and jib arms across the mile of marshy (because it was springtime) valley floor (see the picture below). Not to mention the two days of shooting under a waterfall.
We battled snow, an equipment truck stuck in mud for days, an integral actor dropping out at the last minute, (the part was taken over quite admirably by our producer Marlene Velius) and yet still we finished the shoot both happy and ahead of schedule.
But it was worth it. The town embraced us. The local church treated us to an Easter dinner and a local reporter bought us a steak dinner at a local restaurant. Our last scene was a firelight dialogue scene (in part two on youtube) and we finished the shoot all of us lounging around our fire and reminiscing about the week. The sky was so dark that night that when I stood and the valley and turned off my flashlight, I literally could not see my hand in front of my face.
Paradise Hollow stands out as one of the few places that I would love to go back to one day. With the snowy mountains in the background, the trickling brooks, and the old farmstead straight from the 1800’s it would make the perfect location for a horror film, don’t you think!
Anyway, here’s the film in three parts. I hope you enjoy it!
A few years ago at Sundance I watched a film called On the Road with Judas. It’s a very postmodern kind of film about the artists relationship to the art and things like that. However, ne part that stood out to me was a moment in which a writer in the film says that all writers are liars. Continue Reading »
We are halfway through “The Black Dawn” and I have to say that I am really pleased with how it is turning out. I certainly am not the creator of the show, but I wrote nearly a third of it and did some extensive rewrites as well.
Here’s episode one, which was written almost entirely by William Hellmuth, the director, then rewritten quite extensively by myself, and then changed again on set due to location restrictions. The dialogue between Adam and his roommate was meant to take place in their dorm room. We couldn’t get access to one of the rooms, so we changed it to the stairwell on the day of the shoot.
Bold scene descriptions are all the rage, for action scripts. It used to be that you were only supposed to capitalize Character introductions and sound effects. Now you can throw them in whenever you want. And these days, many other writers are following suit. Whose to blame? I say JJ Abrams with his now infamous use of the F Word in his lost scripts.
